About the play
First presented in 2012 by The English Stage Company at The Royal Court Theatre in London, England, Caryl Churchill’s Love and Information could have been written yesterday. The pulsing dance between information overload and our capacity to love and be loved is part of the daily digital bread for millions on this planet. Not for all, no.But certainly, it has become the norm for those who have access to technology and are able to engage in it. Or rather, find themselves in a time and place where they MUST engage in it. The navigation of love and connection through this insatiable appetite for information is the driving force through it all – its heartbeat.
PERFORMANCE SCHEDULE
- Wednesday, June 23 – 7:30pm
- Friday, June 25 – 7:30pm
- Saturday, June 26 – 1:00pm
- Sunday, June 27 – 1:00pm
LOCATION
Youtube Live Broadcast
RUNNING TIME
~ 90 minutes
COST
In lieu of admission fees for the performances, the students, staff and faculty of the School of Media and the Performing Arts hope that you will donate to the COVID-19 Student Emergency Relief Fund
DIRECTED BY LIZA BALKAN*
Liza Balkan is a director, writer, librettist, educator, and Dora Award-winning actor. Each discipline informs and inspires the other, as does an appetite for inquiry, challenge, inclusivity and the opening of hearts and minds. She began as a dancer, training in Montreal, Toronto and New York. By 1979 she was focusing on her practice as an actor and spent the first eight years of her professional career in New York City before returning to Canada.
Read more of Liza Balkan's Bio
Liza ‘s freelance directing credits include theatre and opera, site -specific and immersive works, musical theatre, classical, contemporary and verbatim texts, and productions with young artists at the University level. Her most recent productions include Much Ado about Nothing for CanadianStage’s 2019 Shakespeare in High Park, Every Brilliant Thing for Grand Theatre London and the premiere staging of the opera LLandovery Castle at Wilfred Laurier University. Recent Her work as a writer includes her documentary theatre project about policing, use of force, mental health, and accountability entitled Out The Window, which was developed through a Residency at The Theatre Centre in Toronto. It received a workshop production in 2012 at TTC and was produced at Toronto’s Luminato Festival in June 2018. Her works as a librettist in the opera and musical genres have been produced in Toronto, Nova Scotia, Vermont and New York City. Upcoming is Gould’s Wall, a new, site –specific opera work with composer Brian Current, premiering at Koerner Hall/RCM in 2022, as well as a new song cycle, “so how’s it been” which will be performed outdoors this summer as part of the Here for Now new works festival in Stratford, Ontario
She has extensive acting credits across the country. Most recently in Toronto, Liza was a member of the independent theatre company ARC and appeared in their productions of POMONA and the SMASH/ARC/Canadianstage production of KISS. Her recent TV/film credits include and Atom Egoyan’s feature: Remember and the Murdoch Mysteries. She received a Dora Award for her performance in Theresa Tova’s Still the Night and was nominated for Calgary’s Betty Mitchell Awards during its cross Canada tour.
Liza has been a guest artist /instructor at Humber College, the University of Windsor, Royal Conservatory of Music, Randolph Academy of Performing Arts, Ryerson Theatre School, Wilfred Laurier University, Canadian College of Performing Arts, and The Birmingham Conservatory at the Stratford Festival. She received her MFA from the CanadianStage /York Directing Graduate Studies Program.
Director's Notes
“The way we maintain friendships is so different now.” These words were shared in rehearsal by Maise Fleur, one of the 13 talented students in this production of Caryl Churchill’s play, Love and Information. I think about her words and acknowledge: Yes, I imagine this is true, perhaps truer now then ever before. Churchill’s play was first presented in 2012 by The English Stage Company at The Royal Court Theatre in London, England. It could have been written yesterday. The pulsing dance between information overload and our capacity to love and be loved is part of the daily digital bread for millions on this planet. Not for all, no. But certainly, it has become the norm for those who have access to technology and are able to engage in it. Or rather, find themselves in a time and place where they MUST engage in it.
Churchill’s play consists of approximately 60 scenes that run from a few seconds to a few minutes, each one offering its own narrative. The play has Seven Chapters: 1-The need for Information; 2-The costs of giving information; 3-Sources of Information; 4-Memory and Reflection; 5-Language; 6-Denial and information; 7-Information overload. The navigation of love and connection through this insatiable appetite for information is the driving force through it all – its heartbeat.
My role for this production has primarily been one of curator. This process has been guided by these students’ responses to the material. What you will be witnessing is a version of the play informed and created by their particular perspectives and experiences, their choices, their struggles, their creativity and their bodies, hearts and minds – all in response to Churchill’s extraordinary writing. They have also created new material to be shared, hence the inclusion in the title of “Additions by the ensemble.” This live-streamed production you are watching is comprised of both live and filmed scenes.
Covid restrictions and health & safety have fully informed this production. Their home environments have become the primary settings, masks are worn and become part of the story telling when venturing outside. Most of these actors live with other cast mates and so are bubbled with at least one or two others. You will note this in some of the scenes. Those who are not bubbled have taken the opportunity to acknowledge this challenge creatively as part of their own moments of story telling.
I cannot fully know what it is like to be a graduating theatre student right now, studying within the protocoled maze of staying safe - and keeping others safe - during this pandemic. I applaud their resilience, their generosity, their humour, their abundance of creativity and talent, and their truth. I continue to learn from them. Bravos to these young artists.
Theatre is always collaboration. Creating a production online takes the art of collaboration to a whole new and intricate level! Thank you to the amazing design team and to the teachers and staff at George Brown. May we continue to find loving, respectful, inclusive ways to engage in, shift, and maintain our relationships with each other, and with the world, as we head forward.
- Liza B.
Creatives
Michael Panich* - Stage Manager
George Brown Theatre School: Three Sisters & Co, Metamorphoses, Planet Munsch, You Never Can Tell, Munsch Goes to School, Munsch-o-Mania, Munsch All Over, A Midsummer Night’s Dream.
Elsewhere: Suddenly Shakespeare, A Midsummer Night’s Dream (Shakespeare in Action), The Rainbow Fish, Stella-Queen of the Snow (Mermaid Theatre of Nova Scotia), Stories from Ovid’s Metamorphoses (Theatre Smith-Gilmour), The Hound of the Baskervilles (Lighthouse Festival Theatre), Canada in Love, Remember that Song, The Legend of Dan McGrew (Smile Theatre). Michael graduated from Concordia University’s theatre program in 2008. In addition to stage managing, Michael is also a production manager, actor and set/light designer.
Jackie Chau - Set & Props Design
Jackie has worked as a set and costume designer and her work has toured internationally. In addition, she is a production designer and art director for film and television. Selected theatre design credits include: Sexy Laundry (Theatre Aquarius) Annie Mae’s Movement, Almighty Voice and His Wife, Tombs of the Vanishing Indian, From Thine Eyes, HUFF (NEPA), Antigone Insurgency, Talking Masks, Charge of the Expormidable Moose, Ubu Mayor, S/W (One Little Goat), Gas Girls (New Harlem Productions), Romeo and Juliet (TD Dream in High Park/Can Stage), Zadie's Shoes, Lady Sunrise (Factory Theatre), Brown Balls (Fu-Gen), The Swearing Jar (Prairie Theatre Exchange), Fish Eyes Trilogy (GCTC), Canada 300 (Watermark Theatre), Cannibal the Musical (Starvox Entertainment),Twist Your Dickens (Second City Chicago/Toronto), Mini Me Makeover – Designer and Co-host (CBC Kids/Expect Theatre), Moment, Dissidents, Oil (ARC Theatre), Cowboy Versus Samurai, 39 Steps, Oraltorio (Soulpepper) and The Komagata Maru Incident (Stratford Festival). Jackie was named in NOW magazine's Top 10 Theatre Artists of 2009, nominated for the Virginia and Myrtle Cooper Award in Costume Design, nominated for a Saskatoon Area Theatre (SAT) award, 2 Broadway World awards and has received 8 Dora nominations for outstanding set and costume design. This is Jackie's 14th year designing for the George Brown Theatre.
Jareth Li - LX Design
Jareth is a stage designer based in Toronto, and is thrilled to play in this new online world with the George Brown team. Many thanks to the students in bringing a playful nature, and willingness to explore with him! Select lighting designs include: The Wolves (Crows Theatre and The Howland Company), Punk Rock (Howland); Iphigenia and The Furies (Saga Collectif); Yellow Rabbit (Silk Bath/Soulpepper); Chautauqua (Pearle Harbour); Black Boys (Saga & Buddies In Bad Times); Prairie Nurse (Factory & TIP); Risky Phil (YPT). Jareth is a member of the Associated Designers of Canada, and an instructor at York University. He is also a member of The Howland Company.
Online @Jareth.Li
Brandon Kleiman - Costume Design
Brandon is a set and costume designer based in Toronto with work appearing on stages across Canada. This is his 7th year with George Brown College, he also designs for other post-secondary institutions including St. Lawrence College, Fanshawe College, Sheridan College, and The Randolph Academy. He was nominated for the 2017 Pauline McGibbon Award, the 2018 and 2020 Virginia and Myrtle Cooper Award in Costume Design, and is a recipient of an OAC Chalmers Development Grant. Brandon is a multiple Dora Award nominee and two-time winner. For more information and a portfolio please visit www.brandonkleimandesign.com.
Steafan Hannigan - Video Designer/Streaming Tech Coord.
Steafan was born and raised in Belfast, Northern Ireland and moved to Canada nearly 12 years ago.
He has a background in theatre and has held many interesting positions: Technical Director, Musical Director, Head of Props, Head Carpenter, Lighting Designer, Sound Designer, and actor. Previously he worked as a Technical Director for many companies including Jumblies Theatre, Education Arts Canada and Festival Players.
He has also had an interesting career as a musician having composed the music for a 24-episode animated series which aired worldwide in 2015, worked with a diverse range such as Bjork, Depeche Mode, Loreena mcKennitt and AfroCelts He has also appeared on MTV, BBC and CBC. Along with his wife Saskia, he was hired to work on developing the hit theatre show “Come from Away”.
And yes rumours are true, he arranged music for and appeared on the hit T.V. series “Friends” – the one with Ross’s wedding, acted in Canadian show “Coppers” and been a session musician on “Black Harbour”, “Relic Hunter ” and “Earth Final Conflict”.
He is an author of “The Bodhran Book” and “The Low Whistle Book” both best sellers in their genre. He and his family also formed a band called Clan Hannigan.
He regularly volunteers for ArtsCan Circle, working with Indigenous communities in Northern Ontario, specializing in working with the Pikanjikum First Nation and Project Journey.
Nick Andison, Video Designer/Streaming Tech Coord.
Nick designs lighting and projections for theatre, dance, opera and corporate productions. Some of his recent work includes lighting design for: Electric Messiah (Soundstreams); Cottagers & Indians, Bunny, Mustard, Midsummer (Tarragon Theatre); The Snow Queen (CCOC); DAS DING (The Thing) (Theatre Smash); associate lighting and projection design for A Christmas Carol (Shaw Festival) Lighting & Technical Director for: EUNOIA (Fujiwara Dance Inventions).
Nick has also recently worked as an assistant lighting designer with many theatre companies and individual designers, some of which include The Shaw Festival, The Canadian Opera Company, Mirvish Productions, Soulpepper Theatre Company, Tarragon Theatre and many others.
When not busy with design, Nick works as a technical director and site manager for large corporate events and festivals, with past projects including the MLB All-Star Game, various NHL outdoor hockey games, SuperBowl LIV, Taste of Toronto and The Big Feastival Canada. Nick also enjoys his work as a mentor and Technical Director for the Regional Arts Program productions at Cawthra Park Secondary School, where he studied before his theatre production studies at Ryerson University.
Sarah Flanigan - Assistant Stage Manager
Sarah is a Toronto based Stage Manager/Assistant Stage Manager. She is a graduate of Queen’s University with a BA Honours degree in Drama, and is thrilled to be back at work as an ASM for George Brown. Favourite credits include: Concord Floral (Theatre Kingston/Queen's University), Crow Hill: The Telephone Play (4th Line Theatre), and Carmel (4th Line Theatre).
Cast
Adriano Reis
Adriano Reis is a Brazilian-Canadian actor Born in Toronto and raised in Newmarket, Ontario. After completing one year of training at Centennial College for Theatre Arts and Performance he enrolled at George Brown Theatre School.
SCENE STUDY HIGHLIGHTS: Castaño in House of Desires, Lord Darlington in Lady Windermere’s Fan, Sadiq in A Line in The Sand, Jorge in Refugee Hotel.
THEATRE: Demetrius in A Midsummer, Night’s Dream (Theatre Orangeville), Daemon in R.U.R (Centennial College) & Edmond in The Count of Monte Cristo (Sacred Heart HS).
ONLINE: Jack in The Importance of Being Earnest & Kyle in Best Brothers (Grandview Theatre).
Adriano spent his early childhood in Governador Valadares, Brazil with dreams of becoming a professional soccer player. When he was told that his dream was unrealistic, he decided to pursue acting instead. He would like to thank his parents for all their support in making his dream come true.
Instagram: @adrianoreis10
Alea Carrington
Alea Carrington is a Toronto-based actor, dancer, musician and choreographer. Growing up in Victoria BC, she began dancing at the age of 3 and started performing in community theatre soon after. Her fondest memories of high school drama involve working on devised theatre and exploring self expression. She moved to Toronto to pursue her acting career at George Brown Theatre School where she has performed some of her favourite rolls such as Disillusionment (Bandit Queen), Juanita (Heresy of Love), Taylor Jae (Planet Munsch), Lady Chiltern (An Ideal Husband) and Izzy (Dreary and Izzy).
Alea has studied film/tv both in Vancouver and Toronto, and continues to look for ways to expand her creative abilities. Outside of acting Alea is an avid photographer and is always ready for a good adventure.
Instagram: @aleacarrington
Colton Gobbo
Pursuing his love for the theatre after his first professional role at age 9 in Hair, Colton Gobbo is tremendously grateful to be a member of George Brown Theatre School’s graduating class, and to be performing alongside his incredible peers. With experience in theatre, combat, film and television, some of his favourite credits include:
George Brown: Don Juan (The Trickster of Seville), Squirrel (Planet Munsch), Lord Illingworth (A Woman of No Importance), and Demetrius (A Midsummer Night’s Dream).
Film & television: Lakewood (Phillip Noyce), Ginny and Georgia (Netflix / Sarah Lampert / Debra J. Fisher), Scary Stories to Tell in the Dark (André Øvredal), Titans (DC Entertainment), and of course, Operation Christmas List (Justin G. Dyck).
Colton would like to thank his family for the unending love, support, and the 9-hour roundtrips from his hometown Sudbury to Toronto for endless auditions - which he’s still paying off.
Instagram: @coltosaur
Cooper Bilton
NEXT GEN PROFILE BIO: Cooper Bilton is from Brantford, Ontario where he discovered his love for acting at age eight. He continued pursuing performance through high school, receiving 3 awards of excellence & a scholarship to a two week Shakespeare intensive at the Stratford Festival from the National Theatre School Drama Festival.
SELECTED THEATRE: George ‘The Second Self ’ (Edmonton/London Fringe), Gatsby ‘The Great Gatsby’ (Paris Performers), Tyler ‘Doing Our Bit’ (Sanderson Centre), Peter ‘Peter Pan’, Alan A. Dale ‘Robin Hood’, & Tweedledum ‘Alice In Wonderland’ (Bell Summer Theatre Festival), & Paperboy ‘Dracula, A Love Story’ (Casa Loma/Brant Theatre Workshops)
GEORGE BROWN HIGHLIGHTS: John Merrick ‘The Elephant Man’, Mercer ‘A Line In The Sand’, Iago ‘Othello’, Occident ‘Divine Narcissus’, & Commander ‘Fuente Ovejuna’. ONLINE: Algernon ‘The Importance Of Being Earnest’ (Theatre Orangeville), & Stephen ‘Indisposable’ (Grandview Theatre). Wonderful mentors at GBTS have had a lasting impact on Cooper and he is excited to share everything he has learned.
GEORGE BROWN SEASON BIO:
Cooper Bilton has had the opportunity to perform in many places including Long Beach, California & New Orleans, Louisiana. Before enrolling at GBTS he attended a two week Shakespeare intensive at the Stratford Festival on a scholarship from the National Theatre School Drama Festival.
Cooper dedicates this season to his Aunt Carla & Uncle Greggy for their generosity, support, and love.
You can find him on Instagram @cooperbilton & YouTube @ETCfilms.
Henry Oswald Peirson
Henry Oswald Peirson is a Toronto-based actor, creator, musician, and clown originally from Guelph, ON. Growing up amidst a hodgepodge of community theatres, choirs, musicians, and poets, he began acting at the age of nine and quickly grew fond of theatre for young audiences, Brechtian theatre, and collective creation. He has completed the Voice Acting Foundations certificate from George Brown College and is in his graduating year at George Brown Theatre School where he's created and performed such roles as:
Natasha 2 (Three Sisters & Co.); Rocinante the Horse (Don Quixote); Officer (Planet Munsch); Oscar Wilde (Gross Indecency) Nurse (Romeo and Juliet).
In addition to Love & Information, he will be performing as the Black Dog in GBTS' The Witch of Edmonton this August. Other recent credits include Missing Links (Theatre by the Bay), The Second Woman (Harbourfront Centre), and a clown turn in the online family event “Mission Jolly”.
When not performing, Henry enjoys reminiscing at the piano, building random spreadsheets, and diving into his ever-growing fascination with Cirque du Soleil.
Instagram: @henry.peirson
Karly Friesen
Karly Friesen is an actor and creator born and raised up North in Sudbury, Ontario. Karly is a proud graduate of the Drama and Dance program at Sudbury Secondary Highschool where she had the pleasure of performing roles such as Deb (Elf: The Musical), Elizabeth Proctor (The Crucible), and Sara (The Theory of Relativity). Her selected credits at George Brown Theatre School include: Mrs. Kendal (The Elephant Man), Queen Margaret (Richard IV), Gwendolen Fairfax (The Importance of Being Earnest), Kissy Aunt (Planet Munsch), and America (Divine Narcissus). When Karly’s not performing, she’s dancing around her apartment or practicing her embroidery skills. Karly would like to thank her family and friends from home who have given her endless support. She would also like to thank her fellow classmates for inspiring her everyday and for becoming her new family away from home, she couldn’t imagine graduating alongside anyone else.
Instagram: @karlyfriesen
Maisie Fleur
Maisie Fleur is a British-Canadian artist, raised in Oakville Ontario and born in the UK. She is thrilled to be a part of the resilient graduating class of 2021. Select George Brown credits include Celia (House of Desires), Deirdre (Dreary and Izzy), Elizabeth (Richard III), Mrs Erlynne (Lady Windermere’s Fan), and Cheryl/Violinist (Planet Munsch). Other select theatre includes solo shows I, Claudia, and The Shape of a Girl; Rona Lisa Peretti (25th...Spelling Bee), Erma (Anything Goes), and Daisy (Turtle Beach). When not in the studio, Maisie is an avid quilter and auntie. She is grateful to all who have supported her during her time in training.
IG: @maisiefleur
Katie Wise
Katie Wise is a Sudbury born actor who is greatly looking forward to completing her thor year of Studies at George Brown College in 2021. She wrote and pieced together several pieces for her second year scene studies at George Brown including a reworked devise piece of Gross Indecency: The Three Trials of Oscar Wilde by Moisés Kaufman , as well as transitory scenes for a condensed version of Sor Juana Ines de la Crus’ play House of Desires.
Select George Brown credits include: Mrs. Cheveley (An Ideal Husband), Sor Juana Inés de la Cruz (The Heresy of Love) .
Select YES Theatre credits include: Spider (James and The Giant Peach) , Merrily we Roll Along, Young Violet (Violet) .
Maggie Roman
Maggie Roman is a Toronto-based actor, she is originally from the beautiful small town of Lion's Head, Ontario. She has loved the world of theatre from a young age, and she discovered her passion for physical theatre while training at George Brown. She is thrilled to be part of the George Brown Theatre School's 2021 graduating class, and to be able to perform alongside such wonderful artists.
Select George Brown Credits: Snares (Bandit Queen), Tina (Planet Munsch), Lady Windermere (Lady Windermere's Fan), King Claudius (Hamlet), Cassidy (Appropriate), The Angel of America (Angel's in America).
Max Kobetich
Max Kobetich is a Canadian actor raised by his wonderful mother in Guelph, Ontario. He fell head over heels in love with acting at a young age and has never looked back since. Max absolutely loves to make himself and others around him laugh.
Select Theatre: House of desires (George Brown Theatre), Fuente Ovejuna (George Brown Theatre), Planet Munsch (George Brown Theatre), Out in the Open (Theatre Ross Touring Company), A Permanent Solution (Theatre Ross Touring Company).
Select on Screen: Directors Cut (short) (The Acting Center), The Piano Bar (short) (The acting Center), Sappsago Cheese Festival (short) (The acting Center).
Max is a massive proponent of chasing what makes one happy and never letting that go. He is very grateful to be a part of the George Brown Theatre School and honoured to be a part of the amazing class of 2021!
Instagram: @maxkobetich
Mia Hay
Mia Hay is a young actress hailing from the East Coast of Canada. It was there that Mia started her career performing new works and works in development at the Notable Acts Theatre Festival and touring TYA with companies such as Theatre New Brunswick. It has been an absolute joy and dream come true to train at George Brown Theatre School and be surrounded by such wonderful and talented peers these past two years.
Some of her favorite credits from George Brown include Izzy in Dreary and Izzy, Sebastiana in Heresy of Love, Emelia in Othello, the Paper Bag Princess in Planet Munsch, and Lady Bracknell in the Importance of Being Earnest.
To keep up with Mia and her career as it develops you can follow her on Instagram at @ms.miahay
Molly Mück
Born and raised in small town Ayr, Ontario, Molly is an artist of multiple disciplines such as: acting, music, comedy and digital media but has been acting since she was eight years old at various theatre camps around southern Ontario. Inspired by her dad, Molly learned to sing at a very young age and only found her love of performing through singing to him, while he played the guitar. She discovered her love of creation and direction when introduced to devised theatre in her tiny high school Drama Club.
Since coming to George Brown Theatre School, Molly has had numerous memorable roles, all of which have come with an abundance of knowledge.
SCENE STUDY HIGHLIGHTS: Juliet in Romeo and Juliet, Vanda Jordan in Venus in Fur, Mrs Cheveley in An Ideal Husband, River in Appropriate.
OTHER THEATRE HIGHLIGHTS: (Cambridge Community Players) Mother in Story of a Mother, (GBTS) Andrew’s Mom in Planet Munsch, Florence in Poof!, (NTS Drama Festival) Seduction Sound in After Liverpool.
Tom Keat
Born in Peterborough, Ontario, Tom is now a Toronto based writer, actor, and clown. He is a seasoned performer at 4th Line Theatre; his credits include The Right Road to Pontypool (2010), Cavan Blazers (2011), Bad Luck Bank Robbers (2016), Who Killed Snow White (2018), and very recently as Jeanne in Bedtime Stories & Other Horrifying Tales (2020). Tom is entering into his final year at George Brown Theatre School (GBTS); he's most proud of his work as Mengo in Fuente Ovejuna (2020), and as Don Gonzalo in The Trickster of Seville & The Stone Guest (2020). His other GBTS credits include: Algernon in The Importance of Being Earnest (2020), The Bear in Planet Munch (2019), Brutus In Julius Caesar (2019), and as Colonel in A Line in the Sand (2018). After finishing GBTS, Tom plans to continue his education by taking courses in film and clown.
Credits & Acknowledgement
Production Staff
- Assistant Stage Manager: Sarah Flanigan
- Artistic Associate: Derek Aasland
- Properties Master: David Hoekstra
- Stitcher: Victoria Banjavcic
- Movement Coach: Jack Rennie
- Voice Coach: Christina Pastor
- Speech Coach: Geoffrey Pounsett
- Musical Coach: Stephan Ermel
- Alexander Technique Coach: Victoria Heart
- Fight & Intimacy Director: Simon Fon
- Social Media Coordinator: Olivia Cameron
Staff for George Brown Theatre
- Chair: Trent Scherer
- Program Coordinator: Sue Miner
- Support Coordinator: Michael Longstaff
- Production Manager/Technical Director: Scott Banks
- Production Assistant: Tim Moore
- Head of Wardrobe: Ina Kerklaan
Special thanks to our generous donors
- The William & Nona Heaslip Foundation
- Sonja Koerner and the Women’s Art Association
- Loretta Bogert-O’Brien
- Esther Farlinger
- Larry LaForet
- Audrey J. Murdoch
- Ray Wares
- Lu-Ju Chou
- George Brown Seniors’ Association
- Cindy Larable
- Debbie Read
Thank you to our friends in the community
- Cindy Bautista and the George Brown College Marketing Department
- Ashley Harychan, Vibalin Padua, Yun Lin, and Arleen Prudenciado (George Brown College Accounts Payable)
- Megan Woods and Soulpepper Theatre Company
- Robert Scott (Canadian Actors’ Equity Association)
*The participation of these Artists is arranged by permission of the Canadian Actors’ Equity Association under the provisions of the Dance.Opera.Theatre Policy (DOT).
