School of Performing Arts - Theatre
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When he's not acting, you can catch Benjamin Clost with his band, the Mariners.

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Staging Steinbeck

Nice actor Benjamin Clost plays nasty Curly in Of Mice And Men

By JON KAPLAN

NOW
OCTOBER 19 - 25, 2006


Classics of fiction rarely make it to the stage crafted by the original writer. John Steinbeck didn't let that happen with Of Mice And Men; he wrote the script for the 1937 Broadway production. The emotional, ultimately tragic tale of friends Lennie and George, a pair of drifters during the Depression, has become an American classic.

"And it's a classic for a reason," enthuses Benjamin Clost, who plays the explosive Curley in the CanStage season opener. "It's told with incredible simplicity and unfolds with the feel of Greek tragedy.

"It deals with the non-sexual love between two men, George and Lennie, who are like brothers, the slow Lennie cared for by the more worldly George.

Clost has just closed the production, directed by Dennis Garnhum, in Calgary. It's about time he returned to the Toronto stage. He's an undervalued actor. After a version of Romeo And Juliet a few years ago, his work here has been limited to some Pinter one-acts.

He first caught my attention in his final year at George Brown Theatre School, where he handled classical and contemporary works with ease, biting into the language with relish to create memorable characters. He went on to more Shakespeare and a year's tour of The Lion King in the States, and later this year plays the giggly Mozart in Amadeus and tackles a new work by Michael Rubenfeld.

"I saw myself as a physical comedian when I was in high school, and my idols were Chaplin, Red Skelton and Laurel and Hardy," he smiles. "But at George Brown I fell in love with Shakespeare, and I think that love ultimately stems from my father's passion for the wordplay of Monty Python, which I watched growing up."

Music keeps Clost busy these days. He's songwriter, vocalist and rhythm guitarist in the Mariners, a five-member group that plays folk, blues and rock.

"I have to thank Disney for giving me the confidence to sing in public. The Lion King showed me I could do it, and now music provides a different kind of emotional outlet from acting. Onstage I perform someone else's words; in concert I say what I want."

 

Return to: Theatre Alumni Press on Graduates Main page


Revised: October 23, 2006

 

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